RED ART AT THE ROYAL COLLEGE OF ART
Red Art: New Utopias in Data Capitalism is the first edited book, part of a series, by the Leonardo Electronic Almanac (Leonardo/ISAST, MIT Press). Red Art: New Utopias in Data Capitalism was edited and has introductions by Lanfranco Aceti, Bill Balaskas, Susanne Jaschko and Julian
RED ART: NEW UTOPIAS IN DATA CAPITALISM
Red Art: New Utopias in Data Capitalism, Volume 20 Issue 1. ISBN: 978-1-906897-20-8. ISSN: 1071-4391. Date of Publication: January 15, 2014. Number of Pages: 250. Book Editors: Lanfranco Aceti, Bill Balaskas, Susanne Jaschko and Julian Stallabrass. The print issue of the LEA Book Red Art:
MASTER LECTURE AT CFAR
Beware of Cutting Down Trees: Contemporary Politics and Aesthetics between Ideal Matriarchal Democracy and Real Patriarchal Dictatorships is the title of the lecture I will be presenting for the Master Lecture Series at the Centre for Fine Art Research (CFAR), Birmingham Institute of Art and
IT LOOKS LIKE ART
It Looks Like Art is the new exhibition of OCR's Media Exhibition Platform (MEP) that coincides with the Sound Art Curating Conference at Goldsmiths and the Courtauld. The exhibition is an international collaboration that sees the partnerships of MEP, NYU Steinhardt, Goldsmiths, Kasa Gallery and
MONEY IS TIME
Money Is Time by Olga Kisseleva is the new exhibition of the Museum of Contemporary Cuts (MoCC). The exhibition is a collaboration with Kasa Gallery where another exhibition titled Money Is Time will take place simultaneously. Kisseleva's works of art have engaged, over the course
TIME IS MONEY
Time is Money and Money Is Time are the two new exhibitions by Olga Kisseleva for Kasa Gallery and for the Museum of Contemporary Cuts. The exhibitions are conceived as two complementary and intertwined shows that happen simultaneously in physical and online spaces, creating a