Time is Money and Money Is Time are the two new exhibitions by Olga Kisseleva for Kasa Gallery and for the Museum of Contemporary Cuts. The exhibitions are conceived as two complementary and intertwined shows that happen simultaneously in physical and online spaces, creating a constant dialogue and reflection on the concept of money and time. Time is Money, the exhibition at Kasa Gallery, will
This is the title of a talk at Art-Athina on Sunday, May 18, 2014, from 15:30 to 16:00. The talk is chaired by Artemis Potamianou, Director of Platform Project @ Art-Athina, and will focus on the aesthetic representation of anger as an 'uncouth,' disruptive and rebellious act that infringes and impinges upon the codified rules of good behavior and civilized life. The talk will question
The new exhibition by Kasa Gallery, It Sounds Like Art, is a collection of sound artworks that explore a variety of environmental, social, aesthetic and conceptual approaches to art. The artworks by John Drever, the duo Jane Grant and John Matthias, Music for Installations (MFI) and Nigel Helyer will provide an insight into sound art practices. The exhibition at Kasa Gallery in Istanbul precedes the
Histories, Theories and Practices of Sound Art May 15 – 16 – 17, 2014 Venues: Goldsmiths, University of London, May 15 and 16, 2014; The Courtauld Institute of Art May 17, 2014. Conference website at: https://ocradst.org/soundartcurating/ Traditionally, the curator has been affiliated to the modern museum as the persona who manages an archive, and arranges and communicates knowledge to an audience, according to fields of
Making Visible the Invisible: Media, Art, Democracy and Protest is the title of a panel at Kasa Gallery, Friday November 15, 2013, at 5pm that precedes the opening of the exhibition I Occupy. The panel and the exhibition are inspired by “Why I Occupy,” a text by Nicholas Mirzoeff - Professor at NYU -, and analyze the inheritance of the Occupy Wall Street movement and the
May Gold Fall Upon You, Tamiko Thiel, 2013. This is the Augmented Reality intervention at the Contemporary Istanbul art fair as part of the event YOU CANNOT AFFORD THIS!, hosted by Plug-in. This is part of a series of new public spaces interventions in Istanbul organized by the Museum of Contemporary Cuts and Kasa Gallery, with the support of Royal College of Art, NYU Steinhardt,
Toads of Money, Will Pappenheimer, 2013. This is the Augmented Reality intervention at the Contemporary Istanbul art fair as part of the event YOU CANNOT AFFORD THIS!, hosted by Plug-in. This is part of a series of new public spaces interventions in Istanbul organized by the Museum of Contemporary Cuts and Kasa Gallery, with the support of Royal College of Art, NYU Steinhardt, Sabanci University
You Will Be Swept Away by Money, Mark Skwarek, 2013. This is the Augmented Reality intervention at the Contemporary Istanbul art fair as part of the event YOU CANNOT AFFORD THIS!, hosted by Plug-in. This is part of a series of new public spaces interventions in Istanbul organized by the Museum of Contemporary Cuts and Kasa Gallery, with the support of Royal College of Art,
Welcome Plutocrats, John Craig Freeman, 2013. This is the Augmented Reality intervention at the Contemporary Istanbul art fair as part of the event YOU CANNOT AFFORD THIS!, hosted by Plug-in. This is part of a series of new public spaces interventions in Istanbul organized by the Museum of Contemporary Cuts and Kasa Gallery, with the support of Royal College of Art, NYU Steinhardt, Sabanci University
Today at 3:30pm as part of Contemporary Istanbul's talk series I am talking on the issues related to curating media art in a fine art context. What are the differences between artistic practices in 'new media' and those in the traditional fine arts? Although I do not like to use the definition of 'new media,' I prefer like Rafael Lozano-Hemmer to use 'media artists' and
