Lanfranco Aceti

About Lanfranco Aceti

Lanfranco Aceti is known for his social activism and extensive career as an artist, curator, and academic. He is a visiting professor and research affiliate at ACT @ Massachusetts Institute of Technology and professor and director of the Arts Administration Program at Boston University. He is the founder of The Studium: Lanfranco Aceti Inc., the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology), and founder and Director of MoCC (Museum of Contemporary Cuts).

MATHEMATICAL RHYMES

Opening Reception: Thursday, September 5, 6pm to 9pm. Exhibition: September 6 to October 6. Leonardo Electronic Almanac – in conjunction with Operational and Curatorial Research – and Boston Cyberarts are pleased to present Mathematical Rhymes – an exploration of art-making practices based in algorithmic and mathematical systems that translate into generative forms of moving image media. The exhibition pairs some of the earliest artworks dealing with

MATHEMATICAL RHYMES2018-02-06T18:38:10+00:00

SOMETHING IN THE AIR

Please join us at the Kellen Auditorium -The New School, on Saturday, September 7, from 6:30pm to 8:00pm - for a screening of artworks and a conversation between curators/editors Lanfranco Aceti and Pat Badani, Convenor Prof. Sven Travis, and “ManifestAR” founding artists on the subject of Augmented Reality. This emerging technology engages the public sphere in social and political critique by placing - in specific virtual

SOMETHING IN THE AIR2018-02-06T18:38:10+00:00

I AM OCCUPIED OCCUPYING

I Am Occupied Occupying: Rhetoric and Realities of Artistic Interventions from Performance to Augmented Reality Art is a talk at NYU Steinhardt School of Culture, Education and Human Development, Monday September 9, 2013 at 16:55. The discussion, convened by Prof. Robert Rowe, will see curators Lanfranco Aceti  and Pat Badani analyze together with AR artist Mark Skwarek, the meaning, possibilities and limitations of contemporary AR political interventions

I AM OCCUPIED OCCUPYING2018-02-06T18:38:11+00:00

TRANSDISCIPLINARY IMAGING CONFERENCE

The Transdisciplinary Imaging Conference at the intersections of art, science and culture seeks papers that explore the theme of the cloud and molecular aesthetics. Clouding occurs when information becomes veiled, foggy, fuzzy, obscure or secretive, or when it condenses, blooms and accretes into atmospheres of chaotic turbulence and pressure vectors, into tidal flows and storms. The cloud also is a new formation of data as a global

TRANSDISCIPLINARY IMAGING CONFERENCE2018-02-06T18:38:12+00:00

THE MOCC PAVILLION AT THE VENICE BIENNALE

The MoCC Pavillion at the Venice Bienniale is a phantasmic representation of the Museum of Contemporary Cuts. The Museum of Contemporary Cuts decided to respond to the premise of the 55th Venice Biennale "Il Palazzo Enciclopedico" with a metaphorical representation of the process of search, collecting and navigation of large amounts of information, data and events. How do you search through the existing knowledge, in

THE MOCC PAVILLION AT THE VENICE BIENNALE2018-02-06T18:38:12+00:00

BEWARE OF CUTTING DOWN TREES

This essay was started during the Gezi Park protests in Istanbul in June 2013 and has been presented as a Master Lecture at the Centre for Fine Art Research (CFAR) at Birmingham City University. The talk was chaired by Professor Johnny Golding, director of CFAR, and provided me with the opportunity to order and formalize some of my thinking on the relationship between contemporary politics

BEWARE OF CUTTING DOWN TREES2018-02-06T18:38:13+00:00

SOUND CURATING AT ZKM

The second of the conference series titled Sound Curating will take place at ZKM. Over the last decade, many interesting new methodologies have emerged within the field of sound art curating / curating sound. These methodologies are tied up with the creative use of digital technologies and computational techniques such as physical and tangible computing. More specifically, interactive art and design seem to offer a

SOUND CURATING AT ZKM2018-02-06T18:38:13+00:00

NOT HERE NOT THERE (PART 2)

Not Here Not There, Leonardo Electronic Almanac, Volume 19 Issue 2. ISBN: 978-1-906897-20-8. ISSN: 1071-4391. Date of Publication: April 15, 2013. Number of Pages: 221. Volume Editors: Lanfranco Aceti and Richard Rinehart Editors: Ozden Sahin, Jonathan Munro and Catherine M. Weir. The print issue of LEA Volume 19 Issue 2 Not Here Not There is available on Amazon. This LEA publication has a simple goal:

NOT HERE NOT THERE (PART 2)2018-02-06T18:38:14+00:00

THIS PUBLIC SPACE IS MINE

This is an essay on public space and art/political interventions. This version online is partial and fragmented because it was an experiment that I started attempting to write academic articles directly online. The article is being completed off-line and will be presented and become public soon. In the meantime it is available online in order to offer an idea of the problems and social complexities

THIS PUBLIC SPACE IS MINE2018-02-06T18:38:15+00:00

DECODING THE FLOW

Decoding the Flow by Paolo Cirio is a new exhibition by the Museum of Contemporary Cuts (MoCC). Exhibition Dates:  June 14 – July 31, 2013. The exhibition coincides with another show by Paolo Cirio at Kasa Gallery titled Jurisdiction Shopping. Exhibition page: https://museumofcontemporarycuts.org/exhibitions/decoding-the-flow. Senior Curator: Lanfranco Aceti. Associate Curator: Vince Dziekan. Curators: Ozden Sahin, Jonathan Munro. “Let us recall that ‘decoding’ does not signify the state of

DECODING THE FLOW2018-02-06T18:38:15+00:00
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