Lanfranco Aceti

About Lanfranco Aceti

Lanfranco Aceti is known for his social activism and extensive career as an artist, curator, and academic. He is a visiting professor and research affiliate at ACT @ Massachusetts Institute of Technology and professor and director of the Arts Administration Program at Boston University. He is the founder of The Studium: Lanfranco Aceti Inc., the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology), and founder and Director of MoCC (Museum of Contemporary Cuts).

THE CROCODILE @ IPER FESTIVAL DELLE PERIFERIE

Lanfranco Aceti’s The Crocodile’s Flight continues his ambitious four-part series exploring the environmental and cultural crises of our time during the IPER Festival delle Periferie with an installation and performance in piazza Tevereterno on May 14, 2025. Following A River of Crocodile Tears, The Home of the Crocodile, and The Crocodile's Lament, this last chapter focuses on the Tiber River symbolisms, transforming it into a

THE CROCODILE @ IPER FESTIVAL DELLE PERIFERIE2025-05-29T09:21:24+00:00

THE FLIGHT OF THE CROCODILE

Lanfranco Aceti’s The Crocodile’s Flight continues his ambitious four-part series exploring the environmental and cultural crises of our time. Following A River of Crocodile Tears, The Home of the Crocodile, and The Crocodile's Lament, this last chapter focuses on the Tiber River symbolisms, transforming it into a site of memory, resistance, and renewal. In collaboration with Tevereterno, IPER Festival delle Periferie, and the Museo delle

THE FLIGHT OF THE CROCODILE2025-02-20T17:44:58+00:00

INTRODUCING THE TRUMP MUSEUM

FOR IMMEDIATE RELEASE: February 7, 2025, 12:00 Introducing the Trump Museum: A Monument to Visual Culture and the American Dream Austin–February 7, 2025, 12:00–Lanfranco Aceti, artist and curator, announces the Trump Museum—the first institution of its kind—dedicated to preserving and celebrating Donald J. Trump’s visual legacy and the material culture that has shaped his public life over the past two decades. Trump’s visual achievements

INTRODUCING THE TRUMP MUSEUM2025-02-07T18:43:33+00:00

TARANTO, IL MARE E LA CENERE, E IL MIO “COLLASSO”

(English version below.) Nel 2023, la città di Taranto ospitò due mostre al Palazzo Pantaleo e una nuova opera commissionata per l'occasione dal titolo: Collasso. Un’opera questa che chiedeva al visitatore non solo di osservare, ma di confrontarsi attivamente con il suo significato. Esibita al CRAC Puglia sotto la direzione artistica di Giulio De Mitri, e come parte della mostra Monumental Elements a Palazzo

TARANTO, IL MARE E LA CENERE, E IL MIO “COLLASSO”2025-01-04T19:47:03+00:00

THE CROCODILE’S LAMENT: RECLAIMING THE RIVER, RESHAPING THE NARRATIVE

Lanfranco Aceti’s The Crocodile’s Lament continues his ambitious four-part series exploring the environmental and cultural crises of our time. Following A River of Crocodile Tears and The Home of the Crocodile and leading to The Flight of the Crocodile, this third chapter focuses on the Tiber River, transforming it into a site of memory, resistance, and renewal. In collaboration with Tevereterno, IPER Festival delle Periferie,

THE CROCODILE’S LAMENT: RECLAIMING THE RIVER, RESHAPING THE NARRATIVE2025-02-20T17:49:02+00:00

THE CROCODILE’S HOME: THE SHAPE OF THINGS TO COME

Lanfranco Aceti’s The Crocodile’s Home confronts the intertwined environmental and cultural crises of the 21st century through the intimate lens of the home. Premiering in the spring of 2024 with a thought-provoking installation at the Museo dell'Altro e dell'Altrove (MAAM) in Rome, the project transforms rivers—often dismissed as mundane elements of the landscape—into powerful loci of refuge, memory, and contested identity. Aceti employs the

THE CROCODILE’S HOME: THE SHAPE OF THINGS TO COME2025-02-20T18:05:22+00:00

CRY ME A RIVER OF CROCODILE TEARS: FLAVA TIBER

“[…] hunc inter fluvio Tiberinus amoeno verticibus rapidis et multa flavus harena in mare prorumpit […]” Virgil. What remains of the mythology of the blonde Tiber, strictly linked as it is to the birth of Rome and over 2000 years of history, as its waters dwindle season after season? Lanfranco Aceti’s A River of Crocodile Tears dives into the heart of his four-part series

CRY ME A RIVER OF CROCODILE TEARS: FLAVA TIBER2025-02-20T18:06:45+00:00

FLIPPING

FLIPPING A Note on Acquisition, Time, and Responsibility Works of art do not begin their life when they are sold.They begin when someone decides to live with them. For this reason, acquisition here is not treated as a transaction but as an entry into a relationship that unfolds over years — often decades — between artist, collector, and the work itself. I am not

FLIPPING2026-02-18T20:48:49+00:00

PERIPHERAL BUT NOT IRRELEVANT

"Silence does not mean surrender!" Lanfranco Aceti, Athens, 2018. Performance. Curated by Artemis Potamianou. Peripheral but not Irrelevant: Peripheries' Contribution to the Centrality of the Globalized Cities (Periferico ma non Irrilevante: Il contributo delle Periferie alla Centralità delle Città Globalizzate) is the talk that I will give to discuss some of my recent artworks installed at and performed as part of the Italian Pavilion, Resilient

PERIPHERAL BUT NOT IRRELEVANT2025-01-02T16:34:20+00:00

ZERO FUCKS TO GIVE: A TALK, A MANIFESTO, AND A WORK OF ART

"One world approved thy wisdom; another, mine." Antigone, Sophocles Zero Fucks to Give is a work of art for Platforms Project, Athens, Greece, May 14-31, 2020. It consists of a talk, a manifesto, and a video performance. It is part of a larger set of artworks started in 2017 with the same title. Zero Fucks to Give: A Talk, a Manifesto, and a Work of

ZERO FUCKS TO GIVE: A TALK, A MANIFESTO, AND A WORK OF ART2022-01-25T19:09:10+00:00
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