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ANNUNCIATION

Annunciation is the latest performance and sculptural installation by Lanfranco Aceti. As part of the exhibition nEUROsis, the artwork was realized in Limassol, Cyprus, with the support of the non-profit organization NeMe. Curated by Yiannis Colakides, the project was developed as part of a year long residency in which the artist explored via thorough research themes and concepts related to apocalypse, post-democracy, post-citizenship, activism, political art, and rebellion. Annunciation is [...]

By | 2018-02-14T22:30:17+00:00 February 11th, 2018|Artworks, News|0 Comments

DISOBEDIENT, DISCONTENTED, AND DISRUPTIVE

Disobedient, Discontented, and Disruptive: Politics of Aesthetic Resistance and Resilience is a presentation by Professor Lanfranco Aceti at Art, Culture and Technology (ACT) @ MIT. The presentation, on Tuesday, February 13, 2018, is part of ACT luncheon series and engages faculty and students with the affiliate's research and thought processes in the creation of new scholarly works, curatorial projects, or personal exhibitions. “The repressed who sides with the revolution is, [...]

By | 2018-02-14T22:30:56+00:00 February 10th, 2018|Artworks, News, Writings|0 Comments

HARVARD, BU, AND DERRIDA

Professor Lanfranco Aceti (Boston University) and Professor Doris Sommer (Harvard University) have joined forces to deliver a student experience in interpretation of complex texts within art spaces. The semester-long course titled Arts in Barcelona, analyzes how national conflicts and civil unrest affect forms of cultural production. Professor Aceti chose The Politics of Friendship by Jaques Derrida for the class Arts in Barcelona because of its focus on nationalism and its relevance to the challenges and complexities involved in arts [...]

By | 2018-02-10T18:11:27+00:00 February 10th, 2018|Events, News|0 Comments

BAKED

Lanfranco Aceti’s new work, Baked: The Truth Will Set You Free, But First It Will Piss You Off (2017), is based on a neon installation from the exhibition, nEUROsis, curated by Yiannis Colakides for NeME. The artist defined these new works of art as a “series of perspectival studies envisioned through tinted glasses on moving life.” The artworks consist of prints and screen paintings, but also incorporate a series of [...]

By | 2018-02-10T18:06:15+00:00 January 4th, 2018|Artworks, News|0 Comments

REMAINDERS AT THE END OF A SUMMER BLISS

Remainders at the End of a Summer Bliss, by Lanfranco Aceti, is a curatorial essay that surveys Bill Balaskas’s exhibition, Remains of a Summer Bliss, at the Kalfayan Galleries, Athens and Thessaloniki. Featured on their new platform,  Contemporary Arts and Cultures (CAC), the essay is published by the Leonardo Electronic Almanac (LEA), MIT Press. In a globalized context of ruthless capitalism, this curatorial essay examines from afar the drama of [...]

By | 2018-02-10T16:31:43+00:00 December 4th, 2017|Curatorial, News, Writings|0 Comments

IT’S TIME

It's Time is a conversation between Prof. Sean Cubitt (Goldsmiths and Harvard) and Prof. Lanfranco Aceti (MIT and BU) on issues of time and its relationship to the contemporary databased and mediated narratives. The lecture will take place in the Plimpton Room, Barker Center, Room 133, Harvard University on Monday, December 4, 2017, from 6:30pm to 8:00 pm. Inspired by Italo Calvino's Six Memos for the Next Millennium and Umberto Eco’s [...]

By | 2018-02-09T00:58:44+00:00 November 28th, 2017|News, Writings|0 Comments

IT IS CONCEIVABLE THAT SHE WILL REFUSE

The Museum of Contemporary Cuts presents a painterly and sculptural text work by Dutch artist, Willem Jan Smit. At the Sculpture Garden pavilion on the New Sea Waterfront of Thessaloniki, Smit marries the two media with the complexity of the positive and negative architectural space. “The Sculpture Garden pavilion presents and shines a light on a fissure in the homogeneous representation of the community,” explains the artist. “The pavilion proposes [...]

By | 2018-02-06T18:36:59+00:00 October 30th, 2017|Curatorial, News|0 Comments

KNOCK, KNOCK, KNOCKING

Supported by the Museum of Contemporary Cuts, the Mediterranean Garden pavilion on the New Sea Waterfront of Thessaloniki has a contemporary art installation by Lanfranco Aceti, curated by Camilla Boemio. Known internationally for his socio-political stances and performances that have taken place over the past thirty years, the artist has conceived a site-specific installation that engages directly with the theme of the Thessaloniki Biennale, Imagined Homes. He has created a public [...]

By | 2018-02-06T18:37:00+00:00 October 23rd, 2017|Artworks, News|0 Comments

ACCURSED

What is in a curse? And who are the accursed? The artist, Lanfranco Aceti, has created a performance titled Accursed and curated by Areti Leopolou that addresses the theme of the Thessaloniki Biennale, Imagined Homes, by bringing the privacy of the home into the public space. The accursed plebs—lower class and middle class alike—voice their angers and frustrations at the Thessaloniki Concert Hall in the form of curses addressed to the state, [...]

By | 2018-02-06T18:37:00+00:00 October 10th, 2017|Artworks, News, Posts|0 Comments

WAR PIGS

To ‘celebrate’ the forthcoming conflict between Rocket Man of North Korea and Dotard of the United States of America the artist Mischa Kuball (DE) has been commissioned to create an installation and music score to be placed on The Fifth Column of the White House. Named Curator Of The United States (COTUS) by the Museum of Contemporary Cuts, Lanfranco Aceti announced this new video and installation as part of The [...]

By | 2018-02-06T18:37:01+00:00 September 21st, 2017|Artworks, Curatorial, News|0 Comments